Developed by From Software
Published by Namco Bandai Games
Released in 2011
Available for Xbox 360 and Playstation 3
Certificate 16 - advisory
When you accidentally step back to your death over the battlements of a ruined
tower. When you are suddenly crushed beneath a hurtling boulder. When a ghoul
leaps from a darkened alcove and chews your face to shreds. When a golem
splinters you in a single sweep of its axe. When a lizard breathes cursing
vapours over you and permanently snips your health-bar in two. When you walk
through a one-way door to find a tiny room packed with hell-hounds and a
towering demon. When you're concentrating on a pendulum scythe and a snake
priest electrocutes you. When you make it to the bottom of a maze of wooden
walkways and blind ends, only to discover that the floor is made of
poison. When you hear a door open behind you and never find out
exactly what killed you. When invisible adversaries fire tiny darts of
incurable toxin into your flesh. When you play for two hours and don't move
your character ten feet. When you finally defeat a seemingly insurmountable
boss after hours and hours of crushing defeats and grinding repetition, only to
discover that to reach the next checkpoint you need to run directly towards
the fiery breath of an unkillable dragon.
When these
things, and worse, happen to you in Dark Souls, you will wonder why
you are even playing this damnable game. But before you can even begin to
wonder "Just when did I turn into such a masochist?", you'll find
yourself out there again, lost in the wilderness of pain, ready to face your
inevitable death.
Dark Souls specialises in terror, the fear and
dread of unknown things. You tremble onwards into each new maze, shield raised,
trying to be cautious but painfully aware that the game will murder you for
indecision, too. Something is always hidden. Characters you meet will lie to
you. Treasures are hinted at, just out of reach, locked beyond seemingly
impassable barriers. Dungeons are gloomy, and become gloomier throughout the
game. Where there is light, there are also hiding places, and fog, and traps,
or else it is blindingly bright.
As your character wakes at the start of the game you find you are locked into
an asylum for the undead, doomed to languish in madness until the end of time.
You escape; a giant bird spirits you away to Lordran, the realm of the Gods.
Here you are told to ring the two bells of awakening. Perhaps you will save the
world - or perhaps you will damn it. No one will tell you. And while you wend
your weary, destined path, monstrous challenges will rise again and again to
crush you like a bug.
This is an
alarming, challenging take on the fantasy genre. It is hardly the hero's
journey – or, at least, not the hero's journey as we have become used to it.
Where modern games coddle the player with an easy arc of moderate challenges
and entertaining lightshows, Dark Souls
is startlingly free. It is a freedom that will get you killed. Wandering
carelessly on high cliffs will see you fall to your death. Accidentally
murdering a non-player character strips them out of your game world forever.
And as Dark Souls saves your progress after every choice or failure, you
can never, never repeal your mistakes. This hardcore sensibility recalls classic
roleplaying games from the world before computers; Dungeons and Dragons is
of course the grandfather of the whole genre, and the trial-and-error
slaughterhouse The Tomb of Horrors could almost be a mould for
some of Dark Souls' (easier) levels; while the inability to backtrack
really brings to mind the Fighting Fantasy adventure books by Steve
Jackson and Ian Livingstone.
Sartre would
love Dark Souls's multiplayer system. "Hell is other
people;" absolutely. You will soon notice messages scrawled in red sigils
across the landscape. They have been left by other players of the game, and
while some of them are handy hints, a good number will distract you just long
enough for a dragon to stomp on your head. "Try jumping" is a
popular, frequently fatal, suggestion, found beside most of the many bottomless
pits. Players can also enter one another's game worlds, to help or to hinder.
It is not uncommon for someone to appear and stab you through the spine just
moments before you reach the safety of a bonfire checkpoint.
So why should
you play Dark souls?
For all its acknowledged viciousness (the tagline for the game, "Prepare
to Die", would be pretentious if it was not so fair), Dark Souls never
postures. It presents a remarkably convincing world to you, and what you can
see, you can probably touch (unless of course it is a sneaky
illusion). Distant vistas are a temptation to bid you explore, and you
will be rewarded with strange new realms. The satisfying and physical
combat engine means that your sword will clang off the stone walls of a
narrow corridor, rebound from the shields of nimble foes, or force you to
drastically overextend yourself when you miss a blow. Where there are mysteries
you will only solve them through trial and error and luck - or perhaps you will
not solve them at all. There is that option as well. This is a world you can
lose yourself in, because it resists your attempts to bend it to your will. It
feels bigger than you on a massive scale, and that puts a huge weight of
reality behind it.
Lordran is a
beautiful world, too. It is a single seamless construction, free from loading
screens (though framerates will occasionally drop unforgivably low), with
believable transitions from one realm to the next. Mundane environments are
enlivened by excellent and believable architecture and geology and a sense
of vast scale, which transition gradually into no less spectacular
supernatural locales. Each level folds back on itself with the intricacy of a
puzzle-box. On your first pass through a location you may assume that
you scraped it bare of secrets while you were being wiped across the floor by
its denizens, but there is always more to discover. This marriage of deathtrap
and diorama will take your breath away.
Hard work makes
victory all the sweeter. When you win in most singleplayer adventure games, you
are rewarded with a glossy cutscene, a new power-up, and a nod in the direction
of the next moderate challenge. When you win in Dark Souls, you are
rewarded with a spectacular endorphine rush pumped directly into the reward
centre of your brain. You feel like an unassailable God King, like the greatest
genius since Einstein - and Einstein never killed a Taurus Demon. By making you
work bloody hard for victory, you can trace a direct line from your fingers
into the smoldering corpse of your greatest adversaries. When it is not making
you hate yourself, Dark Souls is more exhilarating than any
video game has a right to be.
It is also a
treasure trove of terror. Each new environment will feed you into a novel,
vigorous death trap. You know this is going to happen even as you pass the
threshold. Every new creature, every piece of architecture has to be viewed
through a lens of paranoia, as it could be the very thing that kills you. Every
step you take without being ground into pesto ratchets up the tension, higher
and higher. The microscopic chance that you might make it through a level
unmolested on your first try is an irresistible lure, even as your pulse
rockets towards heart-attack territory.
Really, you will
play Dark Souls because once you start, there is no way out. It has the
psychological profile of an abusive lover: it will batter you unconscionably,
deny your most basic requests, turn a cold shoulder just when you need sympathy
the most. It will train you to blame yourself for your own incompetence, not
the game for its insurmountable difficulty. And there is something intoxicating
about it that keeps you crawling back for more, something that makes alternatives
seem wafer thin. It does not preen or pretend. It offers you an incredible
fantasy world, but demands that you be good enough to earn it. After 45 hours
of play (and having seen less than half of what the game has to offer) I've
sold my soul to try and meet that impossible demand. I suggest you join me in
the darkness.
